lower east side librarian

This book got me to wondering about the Ls, who moved in down the street from me when I was a kid. They were from Chile, but I have no idea if they fled oppression or sneaked out with their money. Probably the former, given the timing, but I think my parents didn't like them, so I don't know. Anyway, this book is written mostly from the point of view of the son of a Chilean political prisoner. While the father, Marcelo, was being tortured in jail, his wife, eleven-year-old son Daniel, and eight-year-old daughter Tina emigrated to Madison, Wisconsin. Eventually the family is reunited, but Marcelo is very broken. At seventeen Daniel is doing pretty well; he has a girlfriend, excels at soccer, and plays guitar in a band. His sister isn't thriving quite as handily, and I'm not sure about Mamá.

The story of a more or less orphaned half Danish, half African-American adolescent getting used to life in the 'hood, sometimes challenged by and sometimes rewarded for her blue eyes and good hair, The Girl Who Fell from the Sky unfortunately isn't quite as good as scintillating as I wanted it to be. It's particularly sad because the first chapter really got me.

I don't usually read books in translation, cuz I'm weird like that, but since Lisa Von Drasek recommended it highly and gave me a free copy I figured I could give it a shot. I couldn't stand the last German tween book I started (I can't remember what it was called, just that Siu Loong is a big fan), but luckily The Princess Plot didn't drag or insult my intelligence. There were times where I thought it took the characters forever to get what was obviously going on, but maybe that's a tween thing, rather than a generalization it's fair to make about German YA lit based on two samples, only one of which I read through! Anyway, the 14-year-old princess in question is in hiding from her uncle's regency government after the death of her father. A lookalike, our protagonist, is brought in to replace her. The nation of Scandia has some complex problems, and I appreciated the author's nuanced portrait of the rebel leader. Although I did at some points find the characters a little immature, the plot and themes are fairly sophisticated.

Hrm. I'm not really sure what to make of this book. It's a pretty good read with a reasonably compelling narrator, but plot doesn't quite gel. The ending left me mystified, and not in that cool dazed way where you contemplate what might happen next. Instead we're left with what essentially feels like a "to be continued," which I would have thought the author would be too classy for.

Anyway, Genna is a smart and solitary African- and Panamanian-American teenager growing up in early 21st century Brooklyn who gets transported back in time to more or less the same location, just before Christmas in 1862. She ends up working for a white doctor as nursemaid to his child and as a sort of nurse-in-training in his practice. (She wants to become a doctor, a psychiatrist specifically, a notion Dr. Brant thinks is absurd. Negroes' heads are small than white peoples', so they aren't capable of being as smart. Same with women vs. men.) She has two potential love interests, one from the present, and one from the future/past, who manages to find her in the 19th century.

I don't know if I've ever read a book that better or as unselfconsciously captures the intimacy and idiosyncrasies of a high school clique. (Note--when I say "clique" I do not mean to imply snobbery or exclusivity, merely the phenomenon where teens create their own family of close friends.) Wanda Lowell and Dora Nussbaum, editors of the school's literary magazine Galaxy which is at the heart of the group's identity, are best friends and the leaders of the clique. Wanda and Dora are called the Wandora Unit because of their intense friendship and solidarity, though sometimes the term is not a tribute. Until their senior year of high school they never disagreed about anything. The Galaxy crew have inside jokes, think they are the funniest and smartest people in the world, and they are doomed.

Sophie Mercer is a social outcast from a broken home who has finally been sentenced to the school you go to when you've been kicked out of all the others: Hecate Hall. Well, where witches, shape shifters, and faeries go anyway. Raised by a human mother and yet to meet her warlock father, Sophie doesn't know a lot about witchery (history and powers), which is kind of a drag when she gets to Hecate (Hex) Hall, because the other kids are steeped in it and even know more about her father than she does. Assigned to the school pariah as a roommate, a pink loving vampire named Jenna, Sophie is not off to a good start at her new school.

I was really happy with the first say 4/5ths of this YA novel--until it turned into a teen romance. What's up with that? I've got too much work to do right now to right a better description or review. With a 14-year-old narrator, the book is listed as grade 7 and up, but I think it's perfectly suitable to older readers. It doesn't feel at all "tween."

Per my post on LCSH Watch 2009, Week 51, I discovered this book via its subject heading, FEMALE JUVENILE DELINQUENTS—FICTION. If I were assigning subject headings, I wouldn't necessarily have picked that one, though. I might have gone with one of the cataloger's other choices PROBLEM FAMILIES -- ENGLAND -- NOTTINGHAM -- FICTION, but more to the point, CHILDREN OF DRUG ADDICTS. Essentially, I would have been more loving to the book's protagonist, Kerrie-Ann (Kez) Hill, whom we follow from the age of five to eighteen. She does a lot of illegal things and more than her share of drugs, but I don't see her as a delinquent, and neither does author Nicola Monaghan.

A lonely girl who moves a lot and has a wacky mom meets a lonely boy with a distant dad and a missing twin. But refreshingly, this isn't a teen romance novel. There is some romantic tension and jealousy, but really this book is about the friendship between the two of them.

What if Red Riding Hood's wolf was actually a werewolf who vowed revenge against the bad doggie who ate her grandma? That's more or less the story Ms. Pearce tells, except that Red Riding Hood is actually sisters, one a fighter and one a lover.